Inside GRID Vol. 1
Land, Sea & Air
This strip of islands in the southwest of the Philippines, surrounded by the West Philippine Sea and the Sulu Sea on either side, is an archipelago of its own. Islets of every size and terrain rest within her slender body, as her earthen pores open into lagoons and rivers that flow back to the vast seas. From being extolled as the last frontier of the Philippines to the countless times she was voted the world’s best island, Palawan has enchanted the whole world, ripe and ready to be explored.
So that’s what we set out to do. By bike, by boat, by seaplane—we take three different trips to the same lavish land and come out with three takes on what this beaut has to offer the traveler on the paths less traveled.
We came riding in on narrow roads, some still unpaved. I counted carabaos as we entered, there were more animals than there were cars. For all the noise that surrounded it, San Vicente was relatively quiet.
– Off The Beaten Path
What is it about the open sea that intimidates us so much? Out here, miles away from our comfort zones, we are suddenly confronted by the stark reality of our own vulnerability—the distance between our feet and the sea floor, the depth of everything we do not know, the sheer chance of death.
– The Odyssey
Crossing Mindoro and passing over the Mindoro Strait, water and sky stretch out far into the horizon until the two lines blur into the other—that is, until the islands of Palawan come into view. And goddamn, what a view.
– The Seabird
Elvis is still much revered in these parts. Photography Dave Carswell.
LEAVING: A PROLOGUE
Rob Cham gives us a look into his next comic.
Given this gear, we permit you to indulge the tourist inside.
Take this down. Restaurants, cafés, even scuba studios—a roundup of where we’ve been, and where you should go next.
ANGKOR PHOTO FESTIVAL
Three Filipino photographers talk about one of the world’s most prestigious workshops.
HOW TO DO ANYTHING
A beginner’s guide to becoming the next waterbreather.
THAT ELECTRIC FEELING
The boys take Vintage Electric Bikes on a Roadtest through Binondo.
CHARCOAL AND NEEDLES
What does mambabatok Den Wigan bring with him from Kalinga?
TASTES LIKE CHICKEN
Chef Jordy Navarra dishes all on everyone’s favorite bird.
30 MINS WITH
Alexandra Cousteau. On the legacy of her grandfather and the future of our oceans.
STORIES FROM A HOTEL ROOM
Why you should befriend the concierge, and other lessons from a life on the go.
THE UNTOURIST GUIDES
A rundown of unconventional packages for the unconventional traveler.
THE LONG RIDE
The beauty of the north is unveiled to those who can brave it. By Luis Liwanag.
OFF THE BEATEN PATH
Sometimes the unpaved road makes for the best ride.
A land dweller, a speedboat, and 80 nautical miles to go.
Ladies and gentlemen, the seaplane has landed.
LEAVE NO TRACE
Gear up for the eco-friendly road.
A Look Inside
A word to the wise: freediving is not mean to be learned without proper guidance. Take the proper course and NEVER DIVE ALONE.
Tips on how to pull off a travel portrait on your next trip.
It all began in Baler with a small nipa hut, a community of dreamers, and some great waves.
What does mambabatok Den Wigan bring with him from Kalinga?
We test two seemingly old-timey bikes in the decidedly old Walled City of Intramuros. If these streets could talk, they wouldn't believe the sort of steeds roaming their famed cobblestones.
Chef Jordy Navarra takes us through one of his ongoing experiments, a closer look at the humble bird using the simplest of local dishes, grilled chicken.
On her first visit to the Philippines to advocate for sustainable fishing for OCEANA, the filmmaker and conservationist talked to GRID about being a child of the ocean and the passion that runs in her veins.
It's always been our mandate to tell the truest and best possible stories. We're excited to announce that 2017 marks the beginning of our quarterly format, with longer stories and more substantial content.
ADVENTURES IN STORYTELLING
We have a copy of The Travels of Marco Polo in the GRID office—more than one, probably. We like it because it is a reminder of a long-gone time, all of 800 years ago, when the world was new and unexplored, when every journey was a journey of discovery that might as well have taken them to another planet. When we have the incredible luxury of being able to circumnavigate the globe in comfort and with great speed—and with lost luggage as the greatest danger most of us will ever have to face—it’s important to remember what it took for ancient travelers to discover the world for us. The world will never be that new and that alien again, but we can still hold on to the wonder, the magic and the romance of travel.
But there’s another thing that we like about The Travels: it was very popular when it came out; it was the equivalent of a bestseller, which was even more of an achievement considering that this was centuries before the printing press was invented. Readers hung on every word of Rustichello da Pisa’s retellings of Marco Polo’s journeys down the fabled Silk Road, as he released the stories by chapter. It is proof to me that GRID comes from a long and noble tradition that has sustained the human race for as far back as we can remember. We are not just in the business of adventure or of travel for travel’s sake; we are in it so that we can bring back stories.
(And lest you think this has nothing to do with our own heritage, please make a pilgrimage to the Lopez Museum and Library, and ask to see the oldest known printed book in the Philippines. Note what kind of book it is.)
By now you see that this is not your ordinary GRID magazine issue. This outing reflects a sea change in the way we’re doing things. First off, we are switching from a bimonthly to a quarterly release, which in turn means that we are going to come out with thicker issues every three months, in a format that is more suitable for collecting and revisiting.
We’ve always said from the very beginning that GRID wasn’t your usual travel magazine, and we believe that we’ve lived up to that promise—sometimes in ways that surprise even us. You, our readers, have come to us to tell us what works, what we’ve been doing right, what you’d like to see more of, what we’ve come to mean to all of you. You’ve helped tell us where to go, and where you want to go with us. In that journey, we’ve come to realize that we’ve outgrown the traditional magazine format, and that we ought to fashion ourselves so that our physical form matches the stories we want to tell. The thicker, quarterly format allows us to have more space to tell you those stories, and also gives us more time to go out and gather those stories and realize them more fully on our pages.
Fittingly, for this new format, we’re also doing something new and something big. This relaunch features three different covers, three different takes on the same province. It’s all about Palawan, which will always be known as the last frontier, no matter how popular a travel destination it becomes. We arrive at different places in Palawan through different means—through land, sea, and air—and come back with radically different stories and reflections on the act of journeying and coming home. We can’t think of a better way to reintroduce the GRID mission to you.
For us, this new format is also a leap into uncharted territories. Are we scared? Of course we are, a little bit. But that’s what travel is for: to push us into the unknown, to see who we can become.
Luis is a freelance photo/video journalist. His photos and stories depict humanitarian issues, reproductive health, poverty, environmental issues and disasters. He has worked for Gamma Liaison, Agence France-Presse, New York based Getty Images, AP, European News Agency, Xinhua News Agency and TV, ABS-CBN TV, and GMANews.tv. Luis is presently into bike packing and is raring to pedal anywhere there is adventure.
Pat is a self-taught watercolor and graphite artist and a student of Far Eastern University-Manila. Despite not having gone to art school, Pat has landed several projects, both locally and internationally, including illustrations for Purveyr Magazine and Milk X Hong Kong.
On days he isn’t working as a full time UX designer, Kitt dabbles in craft and illustration. Armed with a degree in Architecture, his fascination with folklore has led him to work with independent agencies in Singapore and the APAC region. His passion project, Little Bunny World, delighted people across the world with its endearing childlike illustrations and depictions of human emotion. He is currently based in Canberra with his partner, working on a children’s illustration book. See more of his work @kittsantos.